More photographs from the North Norfolk Coast.
This is one of my favourite areas. Huge open and sometimes deserted beaches, creeks, salt marshes and reed beds.
Higger Tor is a Millstone Grit outcrop in the Dark Peak of northern Derbyshire. It contains some fierce climbing routes with names like “The Rasp” and The Riffler.” Very appropriate given the course grain of the rock. These photographs were made on a day when the weather conditions matched the brooding nature of the place.
Here are a couple of new salt prints from my Essex salt print project. I’m really enjoying my photo’ trips to essex. Particularly when I’m out on the salt marshes. This first salt print was photographed at low tide and there wasn’t another person around. Just me and few thousand wading birds. Oystercatchers, Curlews and Godwits sifting through the mud for their dinner.
The Tollesbury salt marshes are a unique landscape. A maze of interconnecting creeks that make a snug mooring for the local sailor’s boats. I’m sure it would make a great picture shot from a helicopter.
There are two activities that I find totally absorbing and give me great pleasure and satisfaction. One is the printing of my photographs using the 19th Century process of Salt printing. The other is sailing classic wooden boats around our wonderful coastline. Particularly the Blackwater estuary where it is possible to see Thames Barges, Smacks and Bawleys, some still fishing or dredging for oysters. Click on printing information for more about Salt Print making.
When I make a salt print I first need to coat my paper with a salt solution. The purity of the salt used is all important. Ordinary table salt won’t do. Pure sea salt is ideal and the sea salt I use is made in the Essex coastal town of Maldon in the Blackwater estuary.
To celebrate this coincidence I am producing a collection of photographs, that document the Essex coast around the Blackwater estuary. These photographs will be made into hand coated, gold toned Salt Prints. Each print of Essex will therefore have a little bit of Essex embedded in it.
Unlike contemporary printing methods, with a Salt Print, the photographic image is embedded in the papers fibres rather than in a coating on the surface. This gives the print a beautiful, warm toned velvety appearance. The process is virtually unchanged since William Henry Fox-Talbot invented it in the 1830s.
Here is a Salt Print to start the Project. It was taken at West Mersea
I shall be posting new Salt Prints on a regular basis so why not keep up to date with the Essex Salt Print Project by following my blog. Just fill in the box on the right.
I’ve decided to create a special website richardfreestone.com to present my fine art photographic prints. Please take the time to view it. This site (richardfreestone.net) will remain as my weblog where I will continue to post about my exploits as a photographer and printmaker.
As well as making my living from printing and selling my own photographs, I also hand craft platinum prints for other photographers and now have an international clientele. However, If you would like to learn how to make Platinum Prints yourself, I offer one to one tuition. If you are interested please have a look at my printing website. 139printroom.
Here are two examples of Platinum/Palladium prints made by Roberto Aguilar during his two day course.
I’ve been working hard at perfecting my Salt Printing technique recently. It’s a tricky process to get right. The prints need to be toned to protect the silver and help with archival longevity. I’ve been using Gold and Platinum.